Well I was going to try and rewrite all of this but it’s rare an artist has such a well written and interesting biography so here it is in it’s entirety:
“Andrew Dosunmu is currently based between New York, and lagos, Nigeria. Raised and educated in Nigeria, Dosunmu began his career as a design assistant at the fashion house of Yves Saint Laurent. He has subsequently worked as a Creative Director and fashion photographer, whose images have appeared in a variety of international magazines. Besides a flourishing career in photography, Dosunmu is also active in film and television. His award-winning documentary Hot Irons (1999) won best documentary at FESPACO and Reel Award at Toronto. In South Africa, Dosunmu has directed episodes of the widely acclaimed television series “Yizo, Yizo” which dramatizes the policy debates around education in post apartheid South Africa through a frank presentation of the social crises and conflicts at a Johannesburg high school. Dosunmu has also served as creative director for album covers (for such artists as Erykah Badu and Public Enemy), and directed music videos, including his first for Isaac Hayes, and others for Angie Stone, Common, Wyclef Jean, Kelis, Aaron Neville, Maxwell, Tracy Chapman and Talib Kweli. Dosunmu has recently been selected to participate in the photography exhibition “Snap Judgments: New Positions in Contemporary Photography” at the International Center of Photography. In 2007, Dosunmu was honored with the request to speak at the TED Global conference. Dosunmu is currently in production on his documentary “The African Game” which documents the fans and spirit of football in Africa. Photographs from this documentary have already been published in a coffee table book by Powerhouse Publishing. RESTLESS CITY is Dosunmu’s first feature film endeavor; intended for theatrical release, it will premiere in the festival circuit in late 2010. Dosunmu is a grant recipient of the Annenberg Foundation and the Maryland Film Fund.”
You can witness Dosunmu’s stellar talent here.